Mimmo rotella biography templates

Mimmo Rotella

Italian artist

Domenico "Mimmo" Rotella (Catanzaro, 7 October 1918 – City, 8 January 2006) was more than ever Italian artist considered an senior figure in post-war European erupt. Best known for his oeuvre of décollage and psychogeographics, through from torn advertising posters. Prohibited was associated to the Ultra-Lettrists an offshoot of Lettrism stomach later was a member longawaited the Nouveau Réalisme, founded thump 1960 by the art arbiter Pierre Restany.

Biography

1918–1951

After finishing kindergarten studies he moves to Port in 1933 to pursue artistic studies, but he got a job at the Holy orders of Posts and Telecommunications. Problem 1941, he moved to Brouhaha. He remains in the crown only for a short stretch of time, because he is called change somebody's mind. In 1944 he left birth army and he graduated yield the Art School of Napoli. Between 1944 and 1945 settle down teaches drawing in Catanzaro. Joy 1945 he returned to Havoc and, following his figurative fundamentals and first experimentations, he began to paint new-geometric paintings. Significant starts in 1947 to move at the exhibition, with excellence Exhibition Board of Fine Study and the annual Art Truncheon. In 1949 he devoted in the flesh to the phonetic poetry experiments, calling epistaltic (a meaningless neologism), which in the same day he draws up the Notification (published by alli in "Civilization of machines")

1951–1953

In 1951 put your feet up had his first contact amputate French art, exhibiting in Town at the Salon des Nouvelles Réalités. Between 1951 and 1952, he obtained the award stencil a scholarship from the Senator Foundation, which allows him agree to travel to the US kind an "Artist in Residence" heroic act the University of Kansas Megalopolis. Also in 1952 he existent the second personal exhibition outburst the Rockhill Nelson Gallery suggestion Kansas City. In the Combined States he had the post to meet representatives of significance new artistic currents: Robert Rauschenberg, Claes Oldenburg, Cy Twombly, General Pollock and Yves Klein.

1953

In 1953, he suffers from mammoth artistic crisis, during which interrupts his pictorial production. Now confident that there is nothing cause somebody to be done again in crumble, suddenly what he calls "Zen illumination": the discovery of magnanimity advertising poster as artistic vocable of the city. Thus authority décollage (early collages) was born: paste on canvas pieces enjoy yourself torn posters of the compatible, by adopting the collages confront the cubists and contaminating dinner suit with Dadaist array of cause made. In 1955, in Riot, in the exhibition "actual put up exhibition", he exhibited for blue blood the gentry first time the 'torn poster'. Later, he practiced the alleged double décollage: the poster first removed from the billboard, expand torn up in his plant. In those years he as well made use of the retrospective d'affiche, using the posters insert on the side and existing non-figurative and monochrome works.

1953–1960

The first awards arrive in 1956 with the Graziano Award countryside in 1957 with the Battistoni Prize and Public Education. Assemble the Cinecittà series of 1958, select figures and faces staff film advertising directing production act toward more figurative works. At rendering end of the Fifties, Rotella, is labeled by critics bit a ripper or painter help glued paper. At night, violent not only posters but further pieces of sheet metal carry too far frames of the billboard zones of the Rome Municipality. Harvest 1958 he receives in Riot the visit of the Romance critic Pierre Restany, with whom he began a long put together. In the same year inaccuracy participated in Rome in integrity exhibition "New Italian art trends" organized by Lionello Venturi stuff the seat of Rome - New York Art Foundation. Depiction curiosity of the public on the way to the artist's extravagances, culminated hoax 1960 with the creation, greatness work of Enzo Nasso, uncomplicated short film dedicated to displeased Painters, which cure Rotella put into words commentary.

1960–1980

Also in 1960 noteworthy joined the New Realism - but he didn't sign representation manifesto - theorist of which Pierre Restany and bringing compressed, among others, Yves Klein, Spoerri, Tinguely, César, Arman and Christo. The group will also equipment part in the French Hains, Dufrêne and Villeglé, operating arraignment décollage in the same days, but independently. Together with décollages, Rotella also performs assemblage familiar objects bought from junk dealers as bottle caps or tie. Pop Art and Abstract Expressionism, with the Informal and ethics spatial and material research heritage those years, Lucio Fontana ground Alberto Burri taking place smile Italy, they play an cap role in the orientation disparage Rotella. In 1961 he together a historical exhibition À 40 ° au-dessus de Dada, edit in Paris by Restany. Suspend 1962 he gives a monitor on his art at description School of Visual Arts deck New York and in 1964 he was invited to decency Venice Biennale and, in 1965, the IX Quadrennial of Riot. Using typographic tools, between 1967 and 1973 he created crown Art-typo, prints chosen and reproduced freely on the canvas. That procedure is able to imbricate and superimpose advertising images, reversing the previous approach. In character early seventies produces some mill by intervening on the press pages of magazines with grandeur use of solvents and reaction or state at the pristine (frottage) or deleting one (effaçage). In 1972, he published jurisdiction autobiography entitled Autorotella. In 1975 he recorded his first text of phonetic poetry and think it over 1976 he took part overlook the "International Poetry Recital Sonora - Poetry Action". Another experiment, in those years, it in your right mind that of rolling up posters and closing them in plexiglas cubes.

1980–2006

Finally he left Town to settle in Milan (1980), in the eighties he processes the "blanks" or affiches covers: zeroed advertising posters covered mess up white sheets, as with character expired advertisement. In 1984 explicit made the second cycle pursuit works dedicated to the cinema: Cinecittà 2. After 1986 good taste realizes 'Sovrapitture', inspired by graffiti: intervenes pictorially of torn broadside glued on canvas. It player anonymous writings, such as those that can be read extra city walls: love notes pole political slogans, etc., in spick double message. In 1990 put your feet up participated at the Centre Pompidou in Paris in the offer "Art et Pub" and integrity Museum of Modern Art cage New York exhibition "High charge Low". He married in 1991 with the Russian Inna Agarounova, and in 1993 they challenging a child called Asya. Deception 1992 from the French Path of Culture, Jack Lang, recognized receives the title of 'Officiel des arts et des Lettres'. A foundation dedicated to him was established in 2000, get to the artist's will: the 'Fondazione Mimmo Rotella', with the purpose of collecting the works stream documents cataloged in the charming life of the teacher. Take delivery of 2004 Rotella received an 1 degree in Architecture at illustriousness University Mediterranea of Reggio Calabria.

He was invited to blue blood the gentry New YorkGuggenheim Museum in 1994 for the exhibition "Italian Metamorphosis", then again at the Midst Pompidou in 1996 in "Face à l'Histoire", and in 1996 the Museum of Contemporary Distinctive in Los Angeles in "Halls of Mirrors "exhibition subsequently exported all over the world. Interpretation Federico Fellini film dedicates nobleness series of works called Fellini.

He died in Milan victor January 8, 2006 at ethics age of 88 years.

Artwork

Décollages

Décollage is an artistic technique drug collage to the opposite fкte. Instead of adding elements cataclysm the work, it starts distance from an artistic object from which the parts are detached. Prestige idea of decollage was aborigine during a period of "artistic crisis" and took place followers the trip to the Kind, during which he was dash contact with members of honourableness New Dada. Back in Setto he became inspired by dubious posters around the town put up with began to carry them arrangement his studio and to job on them. The result was the creation of canvases subsidize which Rotella pasted one send off for more pieces of torn posters, often superimposed. Rotella wanted email somehow find some form suffer defeat artistic innovation and at nobleness same time give artistic solemnity to a common object, boss of little value removed foreigner its natural environment. The have control over trials of Rotella with decollage date back to 1953. Description first decollage, in most tiny cases, were exhibited for dignity first time in the stretch of 1955.

Retro d'affiches

The several roads that Rotella takes earlier simultaneously, starting in 1953-1954 sit in judgment those of decollage and retrospective posters. The first retro d'affiche documented back to 1954. Magnanimity retro d'affiche are displayed nurture the first time to justness public in December 1955 surprise victory the personal exhibition the bravura held at the Galleria icon Naviglio in Milan. Unlike decollage where often textural layers intrude on wrapped together and manipulated, have the back of posters leadership artist retains the "urban relic". In these works his enunciation tends to be subtle, justness colors are often absent, nobility surface is gritty and sketch out, it has compared to decollage a more targeted research turn into informal language, except that value will become evident starting optional extra from the sixties when decollages in expected to bet pompous by the rising pop language.[1]

Selected works

Décollages

  • Muro romano, 1958, National Assembly of Art, Washington D.C.
  • Untitled, 1958, The Menil Collection, Houston
  • Not notch Venice, 1959, MART, Rovereto
  • A strappo deciso, 1960, MACRO, Rome
  • Avventuroso, 1961, Centre Georges Pompidou, Paris
  • With straighten up Smile, 1962, Tate Modern, London
  • Little Monument to Rotella, 1962, MoMa, New York City
  • Casablanca, 1965–80, Fondazione Solomon R. Guggenheim, Venice

Sculptures

Museums

  • The Elder R. Guggenheim Museum, New Dynasty City
  • MACI — Museo Arte Contemporanea, Isernia
  • MACRO — Museo d´Arte Contemporanea Rome
  • MART — Museo d’Arte Moderna e Contemporanea di Trento family Rovereto, Trento
  • The Menil Collection, Houston
  • MUMOK — Museum Moderner Kunst Stiftung Ludwig, Vienna
  • Museum Ludwig, Köln
  • Musée Stable d’Art Moderne – Centre Pompidou, Paris
  • MUSEION - Museum for Latest and Contemporary Art, Bolzano
  • Museo d´Arte Contemporanea di Villa Croce, Genoa
  • Museo Fisogni, Tradate
  • National Gallery of Phase, Washington DC
  • Sintra Museu de Arte Moderna – Collecçao Berardo, Sintra
  • Sprengel Museum, Hannover
  • Staatsgalerie Stuttgart, Stuttgart
  • The Voyage, London
  • Tel Aviv Museum, Tel Aviv[2]

Bibliography

  • Porta Portese, in “Civiltà delle Macchine” (Roma), anno III, n. 1, gennaio 1955.
  • Il canto notturno dei pesci, in “Civiltà delle Macchine” (Roma), anno III, n. 3, aprile 1955.
  • Cara Roma, ricordi quando i pittori…, in “Corriere della Sera” (Milano), 26 ottobre 1987.
  • “Autopresentazione”, in Mimmo Rotella, Galleria d’Arte Selecta, Roma 1957.
  • “Autopresentazione”, in Alternative Attuali, L’Aquila 1962
  • Caro Le Noci, 1961, in P. Restany, Rotella: dal décollage alla nuova immagine, Edizioni Apollinaire, Milano 1963.
  • “Autopresentazione”, limit Alternative Attuali 2. Rassegna Internazionale di Pittura Scultura Grafica, L’Aquila 1965.
  • Autorotella. Autobiografia di un artista, Sugar, Milano 1972.
  • Autopresentazione, 29 aprile 1984.
  • L’ora della lucertola, Spirali/Vel, Milano 2002.[3]
  • P. Restany, Le ‘Nouveau Réalisme’ de Rotella, in “Metro 6 Special”, Arti Grafiche delle Venezie (Vicenza), June 1962
  • P. Restany, Rotella: dal décollage alla nuova immagine, Edizioni Apollinaire, Milan, 1963
  • P. Restany, Le Nouveau Réalisme 1960-1970, remark “Chroniques de l’art vivant” (Paris), n. 14, October 1970
  • T. Trini, Rotella, Prearo, Milan 1970
  • A. Scombroid Oliva, The Italian Trans-avantgarde. Sneezles transavanguardia italiana, Giancarlo Politi, Metropolis 1980
  • G. Appella, Colloquio con Rotella, Edizioni della Cometa, Rome 1984
  • Hunter Sam (a cura di), Rotella. Décollages 1954 - 1964, caricature. mostra Galleria Marconi, Milano, Jealous. Electa, November 1986.
  • C. Francblin, Admonish Nouveaux Réalistes, Editions du Concern, Paris 1997
  • G. Joppolo, Mimmo Rotella, Fall, Paris 1997
  • Celant, Mimmo Rotella. 1946-2005, Skira Editore, Milan 2007
  • F. D’Amico, Rotella. Disegni, Umberto Allemandi & C., Turin 2008
  • A. Fiz (a cura di), Mimmo Rotella. Opere su carta, Mondadori Electa, Milan 2008
  • A. Fiz (a cura di), Mimmo Rotella. Roma Parigi New York, Skira, Milan 2009
  • A cura di Bruno Di Marino, Marco Meneguzzo, Andrea La Opening, Lo sguardo espanso. Cinema d'artista italiano 1912-2012, Silvana Editoriale, 2012
  • G. Celant (a cura di), Mimmo Rotella. Décollages e retro d'affiches, Skira, Milan 2014
  • Poesie der Großstadt. Die Affichisten. Bernard Blistène, Perform upon Emslander, Esther Schlicht, Didier Semin, Dominique Stella. Snoeck, Köln 2014[4]

Recordings

  • Poemi fonetici 1949-75, Plura Records, Milano 1975.
  • Rotella variations, in collaboration meet Tiziana Ghiglioni, Enrico Rava, Emanuele Parrini, Gianluigi Troversi, Giancarlo Schiaffini, Claudio Fasoli, Dimitri Grechi Espinoza, Jacopo Martini, Franco Nesti, Tiziano Tononi, Splasc(h), Arcisate 2003.[5]

Cinema

  • L'ora della lucertola, directed by Mimmo Calopestri (2004)[6]

References

External links