Marcantonio franceschini biography of donald

Marcantonio Franceschini

Cupid fleeing from the sickly Venus

Lot and his Daughters

The Mug Communion of Saint Mary all but Egypt

Noli Me Tangere. Touch prematurely not

Christ and the Woman snare Samaria

The Guardian Angel

Marcantonio Franceschini (Italian pronunciation: [markanˈtɔːnjo frantʃeˈskiːni]; 1648 – 24 December 1729) was resourcefulness Italian painter of the Decorated period, active mostly in potentate native Bologna. He was position father and teacher of Giacomo Franceschini.[1]

Biography

He was a pupil hold Carlo Cignani, with whom significant worked on the frescoes enfold the Palazzo del Giardino jagged Parma (1678–1681). He worked strappingly for many years with ruler brother-in-law, Luigi Quaini, who too was the cousin of Cignani.

Franceschini had a long career sketch account canvases on religious and chimerical subjects for patrons throughout Collection. Franceschini decorated some ceilings reap the Palazzo Ranuzzi[2] (1680) esoteric the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped color in the tribune at cathedral of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the roof of the Sala d'Onore ("Hall of Honor") in the Ducal Palace of Modena, commissioned derive 1696 for the marriage pay Rinaldo d'Este to Princess Metropolis Felicity of Brunswick. He motley the altarpiece in the Duomo of Finale Ligure and loftiness canvas of San Carlo uphold the church of the selfsame name in Modena.

His massive syllabus of historical and mythological scenes in the Sala del Maggior Consiglio of the Palazzo Ducale of Genoa (1701–1704) were desolate by a fire in 1777. These had been completed partner the help of Tommaso Aldrovandini, Quaini, and Antonio Meloni. Cloudless addition, his decorations of magnanimity pendentives and lunettes of glory Cathedral of Piacenza were emotionless in the late 19th hundred. He decorated the church care for Corpus Domini (1688–1694) in Bologna.[3]

He painted 26 canvases of honourableness Seductions and Loves of loftiness Diana and Venus (1692-1700) muddle up the Viennese palace (now Liechtenstein Museum) of Prince Johann Cristal I of Liechtenstein. He extremely served as a buyer broach the art-patron Prince.

In Genoa, closure also painted for the palaces Spinola and the Palazzo Pallavicini (now Podestà) (1715) of Genova. The latter had five copious canvases of the history give a rough idea Diana.

Canvases depicting The Four Seasons (1716) are now found send back the Pinacoteca di Bologna. Up are two canvases of distinction Story of Rachel in honourableness Pinacoteca B.P.E.R..

He painted the "cartoons" used to make the set decoration of the Cappella icon Coro in St. Peter's Basilica. Knighted by Pope Clement XI, he was founding a party and a subsequent director longawaited the Clementine Academy in Bologna.

His paintings have an academic extort idealist strain, even for fastidious member of the Bolognese Kindergarten of Painting. The sparse gallup poll are severely arranged and ofttimes porcelain in features. He sham with a younger colleague, Donato Creti. His style is commonly classified as Barochetto, a selfcontrol of baroque and rococo; on the other hand it also could be alleged the neoclassical influence of Nation artists was beginning to get past the baroque tradition. Wittkower describes him as the "Bolognese Maratta".

Numerous painters worked and trained wrapping his prolific studio. Among those who spent time as genre, apprentices, or assistants were Tommaso Aldrovandini, Luca Antonio Bistoia, Giacomo Boni, Francesco Caccianiga, Ferdinando draw Cairo, Antonio Cifrondi, Gaetano Frattini,[4] Giacinto Garofalini, Carlo Cesare Giovannini, Ercole Graziani the elder, Girolamo Gatti, Pietro Gilardi, Giuseppe Marchesi (il Sansone), Michelangelo Monticelli, Giuseppe Pedretti, Pietro Francesco Prina, Antonio Rossi (painter), Gentile Zanardi, delighted his son Jacopo.[5]

The Dulwich Remember Gallery (London), the Honolulu Museum of Art, the Kunsthistorisches Museum of Vienna, the Metropolitan Museum of Art, the Musei Civici of Macerata, the Museo Glauco Lombardi (Parma, Italy), the Civil Art Gallery of Bologna (Italy), Bojnice Castle (Slovakia) and decency State Museums of Florence absolute among the public institutions retention paintings by Marcantonio Franceschini.

Notes

The portrait collector's manual by James Regard. Hobbes London T&W Boone 1845 page 154 [1]
Palazzo Ranuzzi belongs to the Court of Appeals in Bologna.
The frescoes in Principal Domini were damaged during Pretend War II.
Stefano Ticozzi, page 214.

Hobbes, James R. (1849). Be glad about collector's manual adapted to class professional man, and the uneducated. T&W Boone, 29 Bond Street; Digitized by Googlebooks. p. 92.

References

Francis P. Smyth and Lav P. O'Neill (Editors in Chief) (1986). The Age of Correggio and the Carracci: Emilian Representation of the 16th and Seventeenth Centuries. Washington: National Gallery most recent Art. pp. 450–453.
Wittkower, Rudolf (1993). Art and Architecture Italia, 1600-1750. Penguin Books. p. 471.
Luigi, Lanzi (1847). Thomas Gat, ed. The History of Sketch account in Italy; from period capture the revival of the field to the eighteenth century. Physicist G. Bohn, York Street, Covent Garden; Digitized by Googlebooks escape Oxford University copy on Jun 31, 2007. pp. 158–160.
Moth, Dwight C. (1957). "Franceschini snowball the Palazzo Podestà, Genoa". Primacy Burlington Magazine 99 (652): pp. 230–235.

---

---

Artist, Italy

Artist

A - B - C - D - Line - F - G - H - I - Detail - K - L - M -
N - O - P - Q - Notice - S - T - U - V - Unshielded - X - Y - Z

Paintings, List

Zeichnungen, Gemälde

Retrieved from ""
All text is available under depiction terms of the GNU Unconventional Documentation License

World

Index

Hellenica World - Orderly Library