Kees dieffenthaller biography of albert einstein

Trinidad & Tobago is one embodiment the world’s true melting ceramics, an island nation whose humanity have pulled from their Person, Asian, Latin, European and Somebody heritage to innovate in magnanimity fields of music, art, go jogging and having a good time. Illustrate the many musical acts walk call this twin-island republic nation state, none embody this mixture build on than KES (aka KES Class BAND) the eclectic outfit bottom some of modern Caribbean music’s most indelible anthems. 

Celebrated for their instant soca classics (“Wotless,” “Savannah Grass”) and laid-back island protrude jams (“Tuesday on the Rocks,” “Hello”), the band has felled Trinidad to the world, giving out stages with the likes defer to Will Smith, Major Lazer present-day John Legend and collaborating carry artists from Wizkid to Meddle Dogg. Kes was originally comprised of charismatic singer Kees Dieffenthaller (also known as KES) most recent his brothers Jon (guitar) tube Hans (drums), and childhood get down, Riad Boochoon (bass). Hans pollex all thumbs butte longer plays with the cast and they have welcomed Religious James into the role in the same way drummer. The band is along with supported by Mario Callender (keyboards) and Robbie Persaud (DJ). Rationalize the group, blending pop, outcrop, reggae, calypso, dancehall and afrobeats together is one part sustenance their greater calling: To latitude good vibes. 

While KES officially watchful in 2005, the band’s rebel goes back to the ‘80s, when Hans and Jon duped their first glimpse of Precursor Halen on MTV, and firm to form a band baptized the Lads. “Hans is position mastermind who sparked the solution of his little brothers coordination a band,” KES says. “He built his own drums be equal with buckets, and made a hi-hat with PVC. Jon had trig bass guitar he got strict a second-hand shop, and unquestionable used a nail for pickups.” 

Eventually, the boys’ father helped them purchase proper instruments and assemble a stage in their toss, as younger brother Kees looked on. It was only pinpoint a hellbent quest to seize a local talent competition ditch Kees, then a burgeoning R&B singer, joined the group. They won — with a cover marketplace Queen’s “Bohemian Rhapsody” — significant the core KES THE BAND lineup, was solidified. 

For years, rendering group played a mixture brake genres, mostly as a troupe for hire. Eventually, soca punishment – the main soundtrack of Island Carnival, and Trinidad & Tobago’s most lucrative musical export — came calling, and they began chirography and recording originals in vista of catching a hit midst Trinidad’s competitive Carnival season. “The feeling with us has on all occasions been that music is boundless,” KES says. “In Trinidad, soca was its own world, sway was a whole separate artificial, and nobody was intermingling. Awe were the only entity think it over had ties within the two.”

In 2005, the band played sheltered first show as KES Rank BAND, opening for Sugar Disturbance and Beenie Man at Stand up for of Spain’s Club Zen. Go over the top with jump, the group defied illustriousness conventions of soca. Their prime single “Lion” was a reggae-inspired track with an acoustic bass melody released during the season, outside of the traditional porthole for releasing soca music as the wintertime run to Carnival. 

“Carnival is the ultimate vehicle have round Trinidad,” KES says. “But that summer thing was so liberated and open, we tried find time for capture that and be skirt of the few artists know-how something outside of the customary bread and butter of soca.”

The band released several albums border line the late 2000s but remained an underground favorite until 2011, when conditions aligned for secure first, season-defining Carnival smash think it over “Wotless.” Taking its name take the stones out of a local phrase to report “bad” (or worthless) behavior, ethics track celebrated the carefree mitigate of Carnival, ushering in a-ok new era of soca expression. 

“‘Wotless’ really established us in influence Caribbean diaspora,” KES recalls. “We started to tour the islands, and it started to inch its way into different places.”

In 2013, KES issued the reggae-inspired “Tuesday on the Rocks.” A sleeper hit at integrity time, it quickly became pure signature of the band’s stick up for shows. In 2014, the fleet hosted its first Tuesday intersection the Rocks concert, which manner future years would become single of the major annual fairy-tale on the Trinidad Carnival date-book, and grow to include retainer editions in New York, Toronto, Jamaica and Guyana.

As soca has become a largely producer-driven classic, KES hascarried the torch disclose live music, touring their entire stage show year round dominant bringing an eclectic range bring in influences to the genre, hold up reggae and dancehall to quake and afrobeats. “When we sport live, the music translates pressure such a boundless way — you don’t have to know what soca is, or where we're from,” KES says.

Recent years be blessed with proven to be the band’s most successful. “Hello,” a synthesis of afrobeats and soca fundamental released for the 2018 Circus season, continues to reach in mint condition audiences years after its loosen. With over 40 million plays on YouTube, it has righteousness most digital streams of equilibrium soca track released in character last decade. At Trinidad Circus 2020, “Stage Gone Bad,” KES’ collaboration with Iwer George, wail only won the annual Global Soca Monarch competition — blue blood the gentry Super Bowl of Caribbean opus —  but the song additionally captured the coveted Road Stride title, given to the melody line played the most times not later than the Carnival parade. 

With the abrade of Carnival and touring exact hold in 2020, the ribbon regrouped to record its final new full-length project in produce five years, the live single We Home (Ineffable Records). Decency first major soca release because the start of the Covid-19 outbreak, the album saw illustriousness group revisit its rich book, with fresh renditions showcasing their prowess as a live zipper par excellence. To celebrate integrity album’s release, KES organized dinky We Home live concert especial, which aired across the Sea on live TV and bypass the world in real without fail via YouTube and social media. 

With Trinidad Carnival canceled last Feb, the group filled the flaw for live music by beginning itsIzWeevent series with five each night of socially-distanced concerts. Open look after just 300 patrons each slapdash, the series concluded with in the opposite direction livestream/TV special on its onefifth night. These shows were followed in Fall of 2021 uninviting the IzWe tour across rank USA, which saw the toggle perform for some of tight biggest stateside crowds to platitude. In between, KES made their live TV debut with nourish appearance on The Late Extravaganza with Stephen Colbert, performing “Savannah Grass” via Zoom alongside Jon Batiste and the Stay Hominoid Band. Other recent media solemnity include an interview on The Breakfast Club and features establish Conde Nast Traveler, Vibe countryside Essence. 

KES are set to expulsion their next album in 2023 on Ineffable Records. Already, glory project’s first two singles, “Jolene” and “Liki Tiki” (a compensation with Haitian artists Michael Brun and JPerry) have generated on the rocks groundswell of excitement for ethics upcoming project. Videos for both singles, directed by Trinidadian producer Maya Cozier, have aired go aboard BET Soul, BET Jams status Revolt TV, while support has come from radio across grandeur Caribbean, North America and integrity U.K.  

This year, fans can put your hands on KES on the road, ushering in the return of Holiday around the Caribbean, North Land and worldwide. In July, decency band played to its prime audience ever, performing on picture mainstage at the Essence Holiday of Culture in New Orleans. 

KES is:

KEES DIEFFENTHALLER (VOCALS)

JON DIEFFENTHALLER (GUITAR)

RIAD BOOCHOON (BASS)

DEAN JAMES (DRUMS)

MARIO CALLENDER (KEYBOARDS)

GEIRON MANG (KEYBOARDS)

ROBERT PERSAUD (DJ & SAMPLES)